Seventh Heaven A Play in Three Acts Austin Strong 9781298632494 Books
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Seventh Heaven A Play in Three Acts Austin Strong 9781298632494 Books
Austin Strong's "Seventh Heaven" was written in 1922 and is one of eleven of his plays to appear on Broadway in the early 20th century. As the step-grandson of Robert Louis Stevenson, the literary elite surrounded Strong as he grew up. The 1927 film version of this show won a Best Actress Oscar for Janet Gaynor.The play is a roller coaster ride and reads well 84 years after it was written. Mostly, it is a love story between Diane and Chico. They fall in love in a small backwater cul-de-sac in Paris. Her whip-toting sister controls her while Chico sees himself as a man among men even while holding the lowly position of sewer worker. The first two acts take place in 1914 before World War I broke out and concludes in Act Three in 1918 with the signing of the Armistice. The smaller characters are fresh and distinct from the smooth Brissac, to the caring Boul, to the domineering Uncle Georges and the compliant Aunt Valentine.
Thematically, the show has two strong themes that certainly play well here in South. The first is the effect of war on the families left behind. It is neither pro-war nor anti-war in viewpoint. In 1914, military families didn't have the communications we now have. They could go for years not really knowing if their loved ones would ever return.
Stronger than that theme is the role of faith. Some of the characters believe in God; some do not. The Catholic priest Pere Chevillion is hilarious as he totes fake tin watches hoping that pickpockets will steal them so he can go "save" them. The show examines how faith helps families through difficult wartime separation. The lead character, Chico, does not believe in God, goes off to war, returns in the last act with severe injuries, only to have his inner light be turned on to show that he does have faith.
While this is certainly a Broadway show that ran for almost a year in the 1922-1923 season, it is more than a religious homily. Its great universal themes reach across the decades to us today. The acting style for the leads requires great agility from the actors to switch from one intention to another with speed and clarity. The Magnolia Arts Center in Greenville, North Carolina is working on an August 2006 revival of Strong's drama. It is well worth being brought back!
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Seventh Heaven A Play in Three Acts Austin Strong 9781298632494 Books Reviews
Austin Strong's "Seventh Heaven" was written in 1922 and is one of eleven of his plays to appear on Broadway in the early 20th century. As the step-grandson of Robert Louis Stevenson, the literary elite surrounded Strong as he grew up. The 1927 film version of this show won a Best Actress Oscar for Janet Gaynor.
The play is a roller coaster ride and reads well 84 years after it was written. Mostly, it is a love story between Diane and Chico. They fall in love in a small backwater cul-de-sac in Paris. Her whip-toting sister controls her while Chico sees himself as a man among men even while holding the lowly position of sewer worker. The first two acts take place in 1914 before World War I broke out and concludes in Act Three in 1918 with the signing of the Armistice. The smaller characters are fresh and distinct from the smooth Brissac, to the caring Boul, to the domineering Uncle Georges and the compliant Aunt Valentine.
Thematically, the show has two strong themes that certainly play well here in South. The first is the effect of war on the families left behind. It is neither pro-war nor anti-war in viewpoint. In 1914, military families didn't have the communications we now have. They could go for years not really knowing if their loved ones would ever return.
Stronger than that theme is the role of faith. Some of the characters believe in God; some do not. The Catholic priest Pere Chevillion is hilarious as he totes fake tin watches hoping that pickpockets will steal them so he can go "save" them. The show examines how faith helps families through difficult wartime separation. The lead character, Chico, does not believe in God, goes off to war, returns in the last act with severe injuries, only to have his inner light be turned on to show that he does have faith.
While this is certainly a Broadway show that ran for almost a year in the 1922-1923 season, it is more than a religious homily. Its great universal themes reach across the decades to us today. The acting style for the leads requires great agility from the actors to switch from one intention to another with speed and clarity. The Magnolia Arts Center in Greenville, North Carolina is working on an August 2006 revival of Strong's drama. It is well worth being brought back!
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